Tag Archives: creativity

Wading in reflections

I have written before about Daniel Goleman’s analysis of leadership styles [see ‘Clueless on leadership style‘ on June 14th, 2017]; to implement these styles, he identifies, four competencies you require: self-awareness, self-management, social awareness and relationship management.  Once again, I am involved in teaching helping people develop these competencies through our Science & Technology Leadership CPD programme for aspiring leaders in Research & Development [R&D].  As part of the module on Science Leadership and Ethics we have asked our delegates to write a short essay reflecting on the ethics of one or two real events and, either from experience or vicariously, on the leadership associated with them.  Our delegates find this challenging, especially the reflective aspect which is designed to induce them to think about their self, their feelings and their reactions to events.  They are technologists who are used to writing objectively in technical reports and the concept of writing about the inner workings of their mind is alien to them.

Apparently, the author Peter Carey compared writing to ‘wading in the flooded basement of my mind’ and, to stretch the analogy, I suspect that our delegates are worried about getting out of their depth or perhaps they haven’t found the stairs to the basement yet.  We try to help by providing a map in the form of the flowchart in the thumbnail together with the references below.  Nevertheless, this assignment remains an exercise that most undertake by standing at the top of the stairs with a weak flashlight and that few both get their feet wet and tell us what they find in the basement.

References:

A short guide to reflective writing, University of Birmingham, Library Services Academic Skills Centre, https://intranet.birmingham.ac.uk/as/libraryservices/library/skills/asc/documents/public/Short-Guide-Reflective-Writing.pdf

http://www.bbc.co.uk/bitesize/intermediate2/english/folio/personal_reflective_essay/revision/1/

Sources:

Image: https://www.pinterest.co.uk/pin/589901251161855637/

Goleman D, Boyatzis R & McKee A, The new leaders: transforming the art of leadership into the science of results, London: Sphere, 2002.

Dickson A, Books do furnish a lie, FT Weekend, 18/19 August 2018.

Female writers from Sappho to today

A couple of weeks ago, after reviewing one of my posts, my editor commented that I was repeating myself because I had already written on the same topic in an earlier post.  I feel that is inevitable in a weekly blog which has an archive of more than three hundred posts – I am just not sufficiently creative to produce something original every week. Besides, maybe that’s not necessary.  Anyhow, today I am returning to a theme that I have written about previously: the Treasury at the Weston Library in Oxford.  It is a small museum with a rotating collection of treasures from the Bodleian Library, which until the end of February 2019 is on the topic of ‘Sappho to Suffrage: women who dared‘.  As you might expect from the title, the oldest treasure in the exhibition are fragments of a copy from the 2nd century AD of one of Sappho’s poems.  Sappho, who lived on the Greek island of Lesbos between 630 and 580 BC, is the first female writer known to Western civilisation.  Her work was almost lost – the fragments of papyrus on display were found on an ancient Eygptian rubbish dump.  Perhaps this is a good representation of men’s attitude to women’s writing because probably since Sappho, female writers have been neglected by publishers and male readers.  As Nilanjana Roy has reported, publishing houses submit more books by male writers for literary prizes and book reviews tend to highlight more books by men than by women.  In books written by women the gender of characters in evenly divided, whereas in those written by men, women only occupy between a quarter and third of the character-space and men tend to read books written by men.  Perhaps it is unsurprising that many men are lacking in understanding and social awareness of half the population.  Encouraged by my wife and daughters, this imbalance in my reading habits is being addressed by reading the books shortlisted for the Women’s Prize for Fiction each year during our summer holidays. I can recommend the 2018 winner ‘Home Fire’ by Kamila Shamsie – it’s very topical, will make you think and pulls you along to its dramatic final page.  However, you should also read ‘When I hit you’ by Meena Kandasamy – it was both enlightening and shocking to me, and I was left wondering about the line between fiction and non-fiction.  I also really enjoyed last year’s winner: ‘The Power’ by Naomi Alderman.

BTW – the thumbnail is a scan of postcard bought in the Weston Library showing a painting by their artist in residence, Dr Weimen He, who captured moments in time during the refurbishment of the library.

Source: Gender and genre: reading the world by Nilanjana Roy in the FT Weekend, Saturday 22 September 2018.

Previous posts featuring the Weston Library Treasury: ‘Pope and Austen‘ on September 9th, 2015, ‘Red Crane‘ on July 26th, 2017 and ‘Ramblings on equality‘ on October 11th, 2017.

Slow-motion multi-tasking leads to productive research

Most of my academic colleagues focus their research activity on a relatively narrow field and many have established international reputations in their chosen field of study.  However, my own research profile is broad, including recently-published studies on the motion of nanoparticles, damage propagation in composites and stress analysis in aerospace components  as well as current research on the fidelity and credibility simulations and tests (FACTS) in the aerospace, biomedical and nuclear industries.  My breadth of interests makes it difficult to categorise me or to answer the inevitable question about what research I do.  And, I have always felt the need to excuse or apologise for the breadth and explain by making  tenuous connections between my diverse research activities. However, apparently my slow-motion multi-tasking is a characteristic of many high-performing artists and scientists.  Mihaly Csikszentmihalyi has proposed that slowly changing back and forth between different projects is a standard practice amongst people with high levels of originality and creativity.  Scientists that work on several problems at once and frequently refocus their research tend to enjoy the longest and most productive careers according to another study by Bernice Eiduson.

So, no more excusing or apologising for my range of research interests.  It is merely slow-motion multi-tasking to achieve a long and productive career characterised by original and creative research!

Sources:

Tim Harford, Holidays hold the secret to unleashing creativity, FT Weekend, Opinion 25/26 August 2018.

Root‐Bernstein RS, Bernstein M, Gamier H. Identification of scientists making long‐term, high‐impact contributions, with notes on their methods of working. Creativity Research Journal.  6(4):329-43, 1993.

Nauseous blogging?

In his novel ‘Nausea’, Jean-Paul Sartre suggests that at around forty, experienced professionals ‘christen their small obstinacies and a few proverbs with the name of experience, they begin to simulate slot machines: put in a coin in the left hand slot and you get tales wrapped in silver paper, put a coin in the slot on the right and you get precious bits of advice that stick to your teeth like caramels’.  When I first read this passage a few weeks ago, it seemed like an apt description of a not-so-young professor writing a weekly blog.

I am on vacation combining the positive effects of reading [see ‘Reading offline‘  on March 19th, 2014] and walking [see ‘Gone walking‘ on April 19th, 2017] with a digital detox [see ‘In digital detox‘ on July 19th, 2017]; but, through the scheduling facilities provided by WordPress, I am still able to dispense my slot machine homily. I will leave you to decide which posts are from the left and right slots.

Source:

Jean-Paul Sartre, Nausea, translated by Lloyd Alexander, New York: New Directions Pub. Co., 2013.

La Nausée was first published in 1938 by Librairie Gallimard, Paris.