Tag Archives: Picasso

Work, rest and play in Smallville

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Decorative imageI am comfortable with the lack of certainty about us not being in a simulation [see ‘Are we in a simulation?‘ on September 28, 2022].  However, I know that some of you would prefer not to consider this possibility.  Unfortunately, recently published research has likely increased the probability that we are in a simulation because the researchers set up a simulation of a community of human-like agents called Smallville [Park et al, 2023].  The generative agents fuse large language models used in artificial intelligence with computational, interactive agents who eat, sleep, work and play just like humans and coalesce into social groups.  The simulation was created as a research tool for studying human interactions and emergent social behaviour which completely concurs with the argument for us already being part of a simulation created to study social behaviour.  Smallville only had 25 virtual inhabitants but the speed of advances in artificial intelligence and computational tools perhaps implies that a simulation of billions of agents (people) is not as far in the future as we once thought thus making it more credible that we are in a simulation.  The emergent social behaviour observed in Smallville suggests that our society is essentially a self-organising complex system that cannot be micro-managed from the centre.

Sources:

Oliver Roeder, Keeping up with the ChatGPT neighbours, FT Weekend, August 26/27 2023.

Camilla Cavendish, Charities could lead new age of community spirit, FT Weekend, August 26/27 2023.

Park JS, O’Brien JC, Cai CJ, Morris MR, Liang P, Bernstein MS. Generative agents: Interactive simulacra of human behavior. arXiv preprint arXiv:2304.03442. 2023.

Image: Ceramic tile by Pablo Picasso in museum in Port de Sóller Railway Station, Mallorca.

 

Did cubism inspire engineering analysis?

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Bottle and Fishes c.1910-2 Georges Braque 1882-1963 Purchased 1961 http://www.tate.org.uk/art/work/T00445

Bottle and Fishes c.1910-2 Georges Braque 1882-1963 Purchased 1961 http://www.tate.org.uk/art/work/T00445

A few weeks ago we went to the Tate Liverpool with some friends who were visiting from out of town. It was my second visit to the gallery in as many months and I was reminded that on the previous visit I had thought about writing a post on a painting called ‘Bottle and Fishes’ by the French artist, Georges Braque.  It’s an early cubist painting – the style was developed by Picasso and Braque at the beginning of the last century.  The art critic, Louis Vauxcelles coined the term ‘cubism’ on seeing some of Braque’s paintings in 1908 and describing them as reducing everything to ‘geometric outlines, to cubes’.  It set me thinking about how long it took the engineering world to catch on to the idea of reducing objects, or components and structures, to geometric outlines and then into cubes.  This is the basis of finite element analysis, which was not invented until about fifty years after cubism, but is now ubiquitous in engineering design as the principal method of calculating deformation and stresses in components and structures.  An engineer can calculate the stresses in a simple cube with a pencil and paper, so dividing a structure into a myriad of cubes renders its analysis relatively straightforward but very tedious.  Of course, a computer removes the tedium and allows us to analyse complex structures relatively quickly and reliably.

So, why did it take engineers fifty years to apply cubism?  Well, we needed computers sufficiently powerful to make it worthwhile and they only became available after the Second War World due to the efforts of Turing and his peers.  At least, that’s our excuse!  Nowadays the application of finite element analysis extends beyond stress fields to many field variables, including heat, fluid flow and magnetic fields.